Chairs

Lounge Chairs

Low backrest

Comfort

Available with or without seat cushion

Cover material

Unupholstered

Firm

Soft

Extra soft

Seating comfort

Fabric

Leather

Cover / Material

Your sitting position

Lower

Regular lounge height

Higher

Seat height

Swivel base

Matching foot rest

The Fiberglass Chair RAR is a fully fledged, compact armchair, which adds a striking accent to any living space with its iconic shape and steel wire base on wooden runners. 

Eames Fiberglass Armchair RAR

Medium-high backrest

Available in leather

The Lobby Chairs were originally designed by Charles and Ray Eames to furnish lobby areas in New York City's Time & Life Building. All three models in this seating group offer supreme comfort with their luxuriously padded leather cushions, including the inviting visitor chair ES 105, which has an extra-wide seat and low base. The leather upholstery is available in a wide range of colours.

Lobby Chair ES 105

Available in fabric

The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.

Heart Cone Chair

Verner Panton originally designed the Cone Chair for a restaurant in Denmark. It takes its shape from the classic geometric figure for which it is named. The padded shell forms the back and armrests and, together with the soft seat cushion, creates an exceptionally comfortable armchair, which is mounted on an elegant stainless steel swivel base.

Cone Chair

Available in fabric and leather

Thanks to its elegantly understated design, the armchair can be used on its own or paired with many other sofas. It is generously upholstered, ensuring excellent comfort even without additional cushions.

Suita Club Armchair

The Mariposa Club Armchair is suitable for high-quality, compact urban living spaces. Unlike the sofas of the Mariposa family, it does not have adjustable side panels and backrests. However, despite smaller dimensions, the armchair follows the design of its larger counterparts, offering pleasantly soft upholstery and a high degree of comfort. 

Mariposa Club Armchair

The East River Chair by Hella Jongerius is a striking, small armchair composed of diverse materials such as wood, metal, leather and fabric. The carefully selected combination of colours and materials does not have a purely aesthetic purpose: the practical leather covers protect the armrests from dirt and wear, and the thicker padding of the seat cushion provides optimum lumbar support.

East River Chair

Available in veneer with or without cover in leather or calfskin

Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.

Plywood Group LCM

Available in veneer

The graceful DCM chairs (Dining Chair Metal) in the Plywood Group resulted from Charles and Ray Eames' early experiments with moulding plywood into complex shapes.

Plywood Group DCM

The small Lounge Chair Wood (LCW) is an iconic design by Charles and Ray Eames that dates from the period of their early experiments with three-dimensionally moulded plywood.

Plywood Group LCW

Available with or without seat cushion or full upholstery

The Plastic Chairs number among the most well-known designs by Charles and Ray Eames. One model has always stood out in this large family of chairs: the Rocking Armchair Rod Base (RAR). Despite compact dimensions, it offers pleasant comfort even for taller users, and is also available with a seat cushion or full upholstery. The RAR is a fully-fledged armchair, whose iconic shape and rocker base on wooden runners adds a striking accent to any living room.

Eames Plastic Armchair RAR

High backrest

The Lounge Chair, created by Charles and Ray Eames in the 1950s, was designed with the aim of combining an elegant appearance with ultimate comfort. It has been produced by Vitra using virtually the same methods ever since, and is now recognised as a great classic of twentieth-century furniture design.

Lounge Chair

Featuring a high backrest and a low seat, the Soft Pad Chair EA 222 by Charles and Ray Eames offers ultimate comfort – due in no small part to the chair's tilt mechanism, which can be adjusted to the weight of the individual user. The matching stool EA 223 provides a comfortable footrest.

Soft Pad Chair EA 222

High backrest with adjustable neck cushion

Jointly developed by Vitra and Antonio Citterio, the lounge chairs Repos and Grand Repos introduce a new level of comfort and flexibility to the home environment: with their generous padding, inviting armrests and high reclining backrest, these swivel-based lounge chairs impart an image of supreme comfort. 
A synchronised mechanism is concealed beneath the upholstery of the Grand Repos wing chair and can be locked in any position, for optimum back support and utmost comfort at any reclining angle. The characteristic head section invites the user to lean back and creates a sense of shelter and seclusion. The decorative seams in the fabric or leather upholstery of some versions lend the armchair an almost artisanal look.

Grand Repos

The Cité armchair is an early masterpiece by the French designer and engineer Jean Prouvé. Originally designed to furnish the student residence halls at the Cité Universitaire in Nancy, Prouvé also used this comfortable, expansive armchair with powder-coated steel runners and leather belt armrests in the living room of his own home.

Cité

Petit Repos is part of the Repos armchair family by Antonio Citterio. The flexible backrest is generously padded, offering superb comfort despite the armchair's compact size.

Petit Repos

Jointly developed by Vitra and Antonio Citterio, the lounge chairs Repos and Grand Repos introduce a new level of comfort and flexibility to the home environment: with their generous padding, inviting armrests and reclining high backrest, these swivel-based lounge chairs impart an image of supreme comfort. A synchronised mechanism, concealed beneath the upholstery of the elegant Repos armchair, adapts automatically to the user's weight guaranteeing optimum back support at every angle of inclination. 

Repos

Developed by Jean Prouvé, the Fauteuil de Salon is a typical example of the distinctive structural aesthetic of his designs. The armchair's understated character suits a wide variety of interiors, and its ample upholstery and oiled, solid wood armrests emanate inviting comfort.

Fauteuil de Salon

Designed by Charles Eames and Eero Saarinen in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York, Organic Highback is regarded as a classic.

Organic Highback

The comparison of the Coconut Chair to an eighth of a sectioned coconut goes back to the designer himself, George Nelson – a prominent exponent of American mid-century modernism. However, the colour scheme of this iconic, spacious lounge chair is reversed: the outside of the plastic shell is white, while the comfortable one-piece upholstery is covered in high-quality leather or fabric in a variety of colours.

Coconut Chair

The Amoebe chair by Verner Panton is characterised by its organic shape and the wide variety of bold colours available for the cover fabric. The soft upholstery encourages the sitter to curl up and relax in its comfortable contours.

Amoebe 

Overhanging backrest

Amoebe was created by Verner Panton in 1970 for his famous Visiona installation, which included several versions of this lounge piece. It embodies the exuberant spirit of the early 1970s. Thanks to its upholstered surfaces and the flexible back shell, Amoebe offers a high level of comfort. 

Amoebe Highback

The compact HAL Lounge Chair is Jasper Morrison's reinterpretation of the softly upholstered four-legged armchair with a high backrest.

HAL Lounge Chair

Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. Especially in the version with full upholstery, the LAR offers long-lasting comfort, making this modestly sized armchair an excellent seating option for any living space.

Eames Plastic Armchair LAR

Organic Chair

Despite its generous proportions, the Slow Chair by Ronan and Erwan Bouroullec has a lightweight, understated aesthetic, thanks to the armchair's translucent high-tech knit sling cover and graceful contours. The Slow Chair comes in a range of colours with matching cushions.

Slow Chair

Grand Relax by Antonio Citterio is a luxurious reclining lounge chair with outstanding comfort due to its soft, loose cushions. Compact in design, it has a slender appearance and a classic understated aesthetic.

Grand Relax

High backrest with neck cushion

The Aluminium Chair EA 124 is the quintessential lounge model in the Aluminium Group by Charles and Ray Eames. The chair's extraordinary comfort results from the extra-high backrest and head cushion in combination with the tilt mechanism, which can be adjusted to the user's weight. 